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Guidelines for writing Poems, Stories and Tales

Is killing a character to further the plot necessarily a bad thing?

Asked by: Derrick Willis

Killing off a character just to advance the plot is bad. Killing off a character to advance the story is perfectly fine, as long as you are sure it is the best route to go. The plot is only one part of the story. The story is made up out of setting, characters, stakes, tension, and above all, theme (plus many more).

Is it bad to kill off a character?

If you have a character that has served their purpose within the story, killing them off can be a natural — but strong — way to offer closure to their story. If you have a protagonist that has made major sacrifices for the greater good, sometimes the best closure to their story is the ultimate sacrifice.

When should you not kill a character?

6 Times You Shouldn’t Kill Your Characters

  • Their Death Serves No Purpose. Few people enjoy pointless death. …
  • They’re Not Going to Stay Dead. …
  • They’re An Insignificant Character. …
  • The Character is LGBTQIA+ …
  • The Character is a Person of Colour. …
  • The Character is Female.

What does killing off a character mean?

The killing off of a character is a device in fiction, whereby a character dies, but the story continues. The term, frequently applied to television, film, video game, anime, manga and chronological series, often denotes an untimely or unexpected death motivated by factors beyond the storyline.

Why do authors kill off characters?

It advances the plot; it fulfils the doomed character’s personal goal; it motivates other characters; it’s a fitting recompense for the character’s actions; it emphasises the theme; and it creates realism within the story world (which certainly applies to Westeros, where the average lifespan must be very short).

Can you kill your protagonist?

There are many reasons writers decide to kill off their protagonist. The trick is to do it for the right reasons and in a way that won’t make the reader stomp off in a huff. If you’re a writer considering doing away with the main character (MC) in your short story or novel, we’ve got a few tips to keep in mind.

How do you kill fictional characters?

Writing Death Scenes: How To Kill Off Characters

  1. Don’t be afraid to get gruesome. …
  2. Have them a sacrifice themselves. …
  3. Throw in a red herring. …
  4. Duel it out. …
  5. Give the Big Bad character their comeuppance. …
  6. A death with dignity. …
  7. Make an example of them. …
  8. Give your character a second chance.

What is plot armor in anime?

Sometimes referred to as “Script Immunity” or a “Character Shield”, Plot Armor is when a main character’s life and health are safeguarded by the fact that he’s the one person who can’t be removed from the story.

How do you write a good kill scene?

7 Tips For Writing Meaningful Death Scenes

  1. Make the reader care about the character. …
  2. Make the reader despise the character. …
  3. Show the death’s effect on other characters. …
  4. Avoid over-dramatisation and clichés. …
  5. Don’t rely on shock value. …
  6. Try not to make a death predictable.

Can the main character be the antagonist?

Sometimes, there is no clear distinction of whether a character is a protagonist or an antagonist. Whether their intentions are unknown, their actions are both positive and negative, or they are their own worst enemy, a primary character can be both a protagonist and an antagonist at the same time.



How do I kill my main character?

How to Kill Your Main Character

  1. Make sure it’s the only choice the character has left. …
  2. Make sure you have more than one main character. …
  3. Choose your tense and POV wisely. …
  4. Make sure it has the appropriate emotional impact on the surrounding characters. …
  5. Make sure it’s not the last book in the series.

How do you write character resurrection?

In writing a resurrection, you need to balance several conflicting ideas: on the one hand, the death of the character should be a possibility. Otherwise, this death is cheap, meaningless. “He died, so what? He’s going to come back.” The last thing you want to evoke with a character’s death is boredom.

What is a minor character in a story?

Minor characters. These are the other characters in a story. They are not as important as the major characters, but still play a large part in the story. Their actions help drive the story forward. They may impact the decisions the protagonist or antagonist make, either helping or interfering with the conflict.

What is main character syndrome?

“Main character syndrome” is a term popularized on TikTok to describe self-centered people. Having main-character energy typically means someone sees others in their life as supporting actors.

What is a flat character?

A flat character is a character with little to no complex emotions, motivations, or personality. They also don’t undergo any kind of change to make them more well-rounded. In other words, they’re the opposite of a “round character,” who has a fully fleshed out profile and changes throughout the story.



What is a foil character?

In literature, authors will sometimes highlight certain aspects of a character’s personality by using a foil: a supporting character who has a contrasting personality and set of values. Putting the foil and main character in close proximity helps draw readers’ attention to the latter’s attributes.

What is the most important character called?

Protagonist

Protagonist: The main character of the story is the protagonist.

What is a tempter character?

Tempter – the right-hand to the antagonist. The tempter doesn’t need to know the antagonist, but they both stand for the same thing: stopping the protagonist from achieving the protagonist’s goal. The tempter tries to manipulate and convince the protagonist to join the “dark side”.

What are the 6 types of characters?

The different types of characters include protagonists, antagonists, dynamic, static, round, flat, and stock.



How many POVS is too many?

But Evan Marshall in his Marshall Plan for Novel Writing suggests four POV characters are sufficient based on my page count (104,000-ish). He allows up to six for a book in excess of 150,000 pages.

How many characters should a novel have?

A good rule of thumb might be: Include as many characters as needed to tell the story and evoke the proper style and scope—and no more. For intimate novels, this number might be as small as 2-5 secondary characters, and for broader stories, this number might be 20-30.

What do you call a character that is not the main character?

From Wikipedia: A supporting character is a character in a narrative that is not focused on by the primary storyline. Sometimes supporting characters may develop a complex back-story of their own, but this is usually in relation to the main character, rather than entirely independently.

What is a Tetragonist?

°A leading person in a contest; a principal performer.



Who is a anti villain?

Anti-villains have noble characteristics, values, and goals, but how they strive for those goals is often questionable — or downright abhorrent. Like traditional villains, anti-villains stand in the way of the hero’s goal. But unlike a traditional “bad guy,” the anti-villain isn’t necessarily evil.

Can there be 2 protagonists?

Dual protagonists are characters who are both the central actors in a story, work toward a shared or similar goal, and take up approximately the same amount of screen time. Like most protagonists in film, they must both embark on inner and outer journeys that culminate in an emotional or physical change.

Is Sasuke a main character?

Sasuke Uchiha (Uchiha Sasuke) is the overall deuteragonist and the secondary protagonist of the Naruto anime/manga series and rival of the titular hero Naruto Uzumaki.

What is the third protagonist called?

Tritagonist

In literature, the tritagonist (from Ancient Greek τριταγωνιστής (tritagōnistḗs) ‘third actor’) or tertiary main character is the third most important character of a narrative, after the protagonist and deuteragonist. In ancient Greek drama, the tritagonist was the third member of the acting troupe.